Official Jack Hammer Website Launched

Jack Hammer Website: Screenshot from 21st March 2003
Jack Hammer Website: Screenshot from 21st March 2003

PietBotha.com was launched on the 21st January 2001. It was later felt that Jack Hammer should have its own identity so JackHammer.co.za was launched on 21st March 2003.

The Jack Hammer website was combined back into PietBotha.com in July 2020. Piet had expressed this desire before his passing in June 2019. I eventually tackled that project during the COVID-19 lockdown.

— Brian Currin, October 2022

“Vagabond” has been my online nickname since 1997, and “Curmic” is my son, Michael, who helped with website graphics. He was 13 at the time that the Jack Hammer site was launched.

— Brian Currin

Onderhoud | Michael Currin

Piet Botha se lewe het allerlei kinkels – hy het in Amerika gewerk, hy het ‘n oudpolitikus-pa (Pik Botha), hy het saam met die akteur Billy Bob Thornton gesing … ontmoet Piet Botha/Jack Hammer.

Piet is op 18de July 1955 gebore. Nelson Mandela se verjaarsdag is op dieselfde dag, maar Mandela is op 1918 gebore. Piet is nou 47 jaar oud.

  • Piet het twee identityte: hy is eerstens ‘n Afrikaanse sanger. Sy tweede identityt is as ‘n lid van die Engels hardrockgroep Jack Hammer.
  • Sy pa is Pik Botha, die gewese minister van buiteland se sake.
  • Piet het een van die eerste musiekgroepe gehad wat rok-musiek gespeel het, met Afrikaanse woorde.

Piet Botha het reeds in die 70s begin liedjies skryf en groepe vorm, toe hy nog op skool was. Sy eerste album is in 1981 vrygestel. Piet se liedjies gaan oor liefde, haat en politiek.

In 1984, begin Botha sy nuwe groep Jack Hammer. Die groep het 4 uitmuntende rock albums uitgegee. Botha het Billy Bob Thornton (Angelina Jolie se man) in die VSA ontmoet. Hulle het goeie maats geword. Thornton het dromme op die eerste Jack Hammer album gespeel.

Ek het ‘n onderhoud met Piet oor die telefoon gevoer. Ek het hom gevra wat sy gunstelling deel van die besigheid is. Hy sê hy hou van die gevoel van tevredenheid as hy ‘n liedjie klaar geskryf het. En wat beskou Piet as sy beste albums? Hy het gese: “Suitcase vol Winter” en “Jack Hammer Anthology“. Ek het hom ook gevra of hy tans besig is met enige albums. Hy het gesê dat daar twee albums in die pyplyn is: “Man met Kitaar” en die een vir 2003 het nog nie ‘n naam nie.

Om op te som: Wat Piet Botha ‘n legende maak is dat hy steeds aktief is in die musiek bedryf na 30 jaar en hy werk nogsteeds aan nuwe albums en speel gereeld by konserte en feeste.

by Michael Currin (age 13), August 2002, for a school project

Vloek Van Die Kitaar 1979-2001

The South African Rock Encyclopedia > Classic Albums > Compilations > Various Artists > Vloek Van Die Kitaar 1979-2001

Tracks

  1. Blommetjie Gedenk Aan My – Anton Goosen
  2. Tiger & Louise – Spinnekop
  3. Cybersurferraver – Akkedis
  4. Kaalvoet – Koos Kombuis
  5. Afrikaners is Plesierig – Karen Zoid
  6. Pappa Ek Wil ‘n Popster Word – Springbok Nude Girls
  7. Strate van Pretoria – Beeskraal
  8. Boksburg Bommer – Bernoldus Niemand
  9. Gange van Babylon – Valiant Swart
  10. Goeienag Generaal – Piet Botha
  11. Bomskok Babalaas – Koos Kombuis
  12. Elektrisiteit – Raaskopleef
  13. Reggae Vibes is Cool – Bernoldus Niemand
  14. Maanskyn – Spinnekop
  15. Die Vloek Van Die Kitaar – Valiant Swart
  16. Anderkant Die Berg – Akkedis
  17. Cape Flats – Brasse Vannie Kaap
  18. Twyfelaar – Battery 9

Release information

CD: May 2002, Boereplaas Plate / EMI, CDEMIM (WLM) 012

Compiled by Dirk Uys.

Review

by Brian Currin, May 2002

Dagga Dirk Uys first mentioned this CD in September 2001 and now at last it sees the light of day.

It is a history of Afrikaans Rock and Roll from Anton Goosen’s ‘Blommetjie Gedenk Aan My’ from 1979, through the 80s and 90s with tracks from Afrikaans rock legends like Koos Kombuis, Valiant Swart (singing the title track), Bernoldus Niemand (the alter ego of the late, great James Phillips), Piet Botha (with his incredible anti-war song ‘Goeienag Generaal’), Akkedis and Battery 9 and then crashing into the new millennium with Karen Zoid (‘Afrikaners is Plesierig’), Spinnekop, Beeskraal and Brasse Van Die Kaap (‘Cape Flats’, with support from Cape band Nine).

Also included is the early (and prophetic) Springbok Nude Girls song, ‘Pappa Ek Wil ‘n Popster Word’, originally released on the ‘Wingerd Rock 1 – Songs Uit Die Bos’ CD in 1997. Another ‘Wingerd Rock’ song, ‘Elektrisiteit’ by Raaskopleef, is also on this new compilation.

The A to Z of Afrikaans Rock (from Akkedis to Karen Zoid) and all its genres (blues, boogie, industrial, punk, hip hop, rap, reggae, metal and more) are on this one CD. Highly recommended.

If the cover painting by Vernon Swart looks vaguely familiar, get out any of your old Led Zeppelin albums on the Swan Song label and you’ll get the picture.

Image Compare
vloek van die kitaar
Swan Song | Vloek Van Die Kitaar

Post Script

May 2012

I seem to remember Dirk telling me at the time that he would have liked to have included a David Kramer song but wasn’t able to get permission. Not sure what song he had in mind, but I would have included David Kramer’s Mountain Rockers version of Bokkie Bokkie.

This song has English verses and an Afrikaans chorus. The song was recorded in September / October 1980 and released on the Bakgat! album in 1981. It is a poppy / folky song, however a much harder rocking alternate version was released on the Mountain Rockers compilation in 1982.

Post Post Script

Facebook post, 1 December 2024

The 2002 compilation “Vloek Van Die Kitaar 1979-2001”, the brainchild of Dirk Ace, has been recreated as a Spotify playlist. This compilation features “Goeienag Generaal” from the “Suitcase” album.

The playlist is not quite complete as 3 songs could not be found on Spotify.

Interview

VADER VAN AFRIKAANSE ROCK PRAAT

Hannelie Booyens, News24.com

Dis vroegoggend en Dagga Dirk Uys voel nie baie vars nie.

“Ek is kwart oor vyf eers uit Valiant (Swart) se huis uit. Ek het veertig minute gelede uit die bed opgestaan en ‘geshower’ en stad toe gejaag.”

Dat Dirk ná ‘n nag se harde kuier met sy rockbroers vroeg is vir ‘n onderhoud spreek boekdele oor dié “vader van Afrikaanse rock” se missie om rockers se “image” te verander. Om rockers se roekelose beeld nog verder af te breek, stuur Uys ‘n dag ná die onderhoud ‘n e-pos met ellelange antwoorde op vrae wat hy voel hy nie “deeglik genoeg” beantwoord het nie.

As iemand met gesag kan praat oor Afrikaanse rockers, is dit Uys, wat as musiekkenner, organiseerder, vervaardiger, promotor en gesoute “rockgroupie” al goed op pad is na twee dekades aan die voorhoede van Afrikaanse rock.

Die uitreiking van ‘Vloek van die kitaar: 18 Afrikaanse rockers 1979 tot 2001’ is ‘n poging om die Afrikaanse rocktoneel in perspektief te plaas, sê Uys.

“Dit het nodig geraak, want mense wat nie agtergrond het nie, het ‘compilations’ begin maak, soos ‘Alternatief Op Sy Beste’. Iemand wat deel was van die beweging, moes die ‘record straight set’.

“Ek het probeer om ‘n klomp goed op een slag te doen. Ek wou die musiek in ‘n historiese perspektief plaas om vir mense te wys hoeveel ‘great’ songs daar al was en hoe dit ontwikkel het en waar ons nou staan.

“Ek wou ook wys hoe lewenskragtig ons musiek is en hoe wyd die omvang is. Daar is van Anton Goosen se ‘Blommetjie gedenk aan my’, wat ek beskou as die eerste Afrikaanse ‘rocksong’, tot Bernoldus Niemand en Koos (2 ‘songs’ van ‘Niemandsland’, volgens my sy beste album), Valiant is daar, Springbok Nude Girls, Beeskraal, Akkedis, Spinnekop, Brasse vannie Kaap en Battery 9.”

Waarom niks van Johannes Kerkorrel nie? “Vriend Kerkorrel ‘didn’t make it’, want ek het regte rock ‘n roll gesoek. Buiten ‘n ‘song’ van David Kramer wat ek wou gebruik en nie kon kry nie, is almal daar.”

“Die ‘eighties’ was ‘n verskriklike oorlewingstryd vir Afrikaanse rock, maar met die Voëlvry-toer het ons ‘n muur afgebreek wat ‘n klomp dinge moontlik gemaak het. Ek het van die begin af geweet Afrikaanse rock gaan werk. Ek moes ‘n klomp mense oortuig, onder andere Johannes Kerkorrel, wat eintlik maar ‘n ‘cabaret artist’ was. Selfs Piet Botha het daai jare geglo Afrikaanse rock sal nie kan werk nie.”

Hoekom het dit so lank gevat voordat ‘n vrou soos Karen Zoid opgang gemaak het in Afrikaanse rock?

“Is dit ‘n ‘gender’-ding? Ek weet nie. Karen is fenomenaal – die eerste Afrikaanse ‘girl’ wat regtig rock ‘n roll uit die heup uit speel. My grootste wens is dat sy ‘n paar ander ‘girls’ aanspoor om uit die kas uit te klim.”

Oor die kloof tussen populêre ligte Afrikaanse musiek en Afrikaanse rockers is Uys ook baie uitgesproke. “Hulle verstaan ons nie. Hulle dink ons is alternatief en ‘weird’. Mense is moerse verras as hulle vir my kom kuier en sien ek het ‘n ‘nice’ huis en ‘nice’ kinders en ‘n vrou en alles is skoon. Mense is verbaas om te hoor Valiant het ‘n kunsversameling.”

Die enkele groot struikelblok wat Afrikaanse rock se uitbreiding kortwiek, is volgens Uys “brain drain”. “Dis baie erger as wat mense dink. Ek het dit die laaste twee jaar begin besef dat van die 60 000 mense wat ons met die Voëlvrytoer bereik het, amper die helfte oorsee sit. Dit het SA rock ‘n moerse ‘blow’ gegee.

“Die aanhangers van ligte Afrikaanse musiek, die ‘eisbein’-blok wat ‘thrive’ op Ek en my meisie woon in ‘n huisie is nog steeds hier. Die ‘breindrain’ het kultuurverarming tot gevolg.”

Uys is besig om ‘n boek te skryf oor sy ervaring van die Afrikaanse musiektoneel.

“Die voorlopige titel is Vroumense en ou karre – die verhaal van Afrikaanse Rock ‘n Roll. Soos ek praat, so skryf ek. Dis nogal outobiografies – dit begin so in die middel-tagtigs. Dit gaan ‘n moerse storie wees.”

Extracts reprinted here by kind permission of Cobus Heyl of News24.com

South African Rock Hall Of Fame

Piet Botha inducted 1st January 2002

Piet Botha

Piet was born on the 18th July 1955 and has been a stalwart of the SA rock scene since the ’70s when he started the band Raven. In the early ’80s Wildebeest combined African, Afrikaans and Rock sounds into one hybrid mixture. His band Jack Hammer, first formed in 1984, defined good time rock and played support to Deep Purple and ZZ Top on their SA tours. In the ’90s Piet helped solidify the Alt.Afr.Rock movement alongside artists like Koos Kombuis and Valiant Swart.

He continues to perform regularly in and around Pretoria and at most of the festivals during the year. And he can usually be seen performing unplugged at the coast during the summer months. Piet (affectionately known as “Hammer” to his friends) is an intelligent, warm and sincere person who is seen as a mentor and father-figure to young aspiring musicians like Jonathan Martin and Not My Dog.

Roadies but Goldies: Jackson

“… Laat Die Wiele Rol, O Jackson …”

Farewell To Jackson

by Moonshine Lee, 16 July 2001

The ‘fifth’ member of Jack Hammer, Hendry Jackson, jets out to Chicago USA tonight (16.07.2001) to pursue business interests there for awhile. A close and long standing friend, supporter, stalwart of the ‘Hammer’ over the past 23 odd years.

We celebrated two farewell gigs for Jackson in Pretoria, which is Jackson’s hometown, over the past weekend. Friday night (13.7.2001) saw a packed Café Barcelona, in Erasmuskloof, bid a fitting farewell to our ‘Brother-in-Arms’ with some seething rock ‘n’ roll from Jack Hammer. The short tour the Hammer and Johnathan Martin had in the UK in June, and having seen the likes of Neil Young, AC/DC and Buddy Guy live, has certainly put a razor sharp edge on their music. And bring the house down they did. What a send off “….Laat die wiele rol, ou Jackson………….”

Sunday afternoon (15.7.2001) the celebrations moved to Glen Afrique, an exquisite bush pub situated in the midst of a game farm near Hartebeespoortdam. A better venue for the ‘grand finale’ ala bush style, one could not have asked for. The Hammer, Johnathan Martin with Mervin Davis on mandolin, bid their farewells to their good friend the only and best way they know, through their music……. (after all that’s what formed this bond in the first place!)

Jackson we wish you well and don’t see this as the end of an era, but in fact the start of something new. We’re sure you’ll be keeping your eyes and ears open for opportunities in the Chicago scene and we look forward to a time when we can meet up there with you.

For now, we want to say that it had been an honour and a privilege to have walked this road with you for the past 23 years. My friend, we’re sure going to miss you, but by the same token this break could not have happened to a finer man.

Salute Amigo!

Moonshine Lee, The Hammer, Jono the Kid Martin, Tertius and the Duke.


Roadies but Goldies — rock’s unsung heroes. The story of Jackson, the fifth Hammer on the Jack and the road less travelled.

by Bert Badgrass, January 2001

As this glorious beast we call rock ‘n roll gains in strength and finds new voices all the time, the vital role of the roadie is ritually overlooked and forgotten.

These unsung heroes who travel the length and breadth of the land, setting up the stage for the band, slinking back into their no-man’s land to savour the sounds during the gig, only to reappear when everybody’s gone home to pack up and head off for the next town.

Often running on empty – with apologies to Jackson Browne — these are truly the guys who live the rock ‘n roll lifestyle to the full. Without the glamour that performance brings.

And often, as is the case with Jack Hammer’s Jackson, it is a labour of love. Guys who plugged in to the alternative vision which rock offered way back when the world was young. Guys who bought, hook, line and sinker, the dream of peace and love offered by these “other” voices.

I caught up with Jackson at that national monument to consumerism — one of several in which have been erected in honour of Mammon in our land, mind — Menlyn Park in Pretoria.

He was busy with his daytime job — installing surveillance cameras, another latterday necessary evil, for an electronics company. Remember the days when the only Big Brother we gave the thumbs-up to was the one who headed the Holding Company, which backed Janis Joplin? Ah well … so it goes.

Jackson and The Hammer (aka Piet Botha) go way back to the late 1970s when Piet was playing with Abno at the Keg and Tankard in Pretoria. (Jacks and I go back even further: Palm Grove, Margate in December ’72 — ’76. Remember Shalima etc? As ex-Traffic drummer Jim Capaldi had it: Oh How We Danced!)

“I just started hanging out with Piet, digging his music and what he was doing. We became friends and I just helped out where I could as far as electronics were concerned. I sort of formally became Jack Hammer’s roadie — this was during their first incarnation — in the mid 80s.

“This was when we got the gig at Grand Central and the band did a light show. They needed someone who knew something about being a sparks and, well, I just naturally filled that role.

“In those days, the members included Piet and guys like Boet Faber, Paul van Eeden, Derek Riley and Eric Birkenstock — I have seen many Jacks, so to speak, come and go in my time, I tell you.”

There’s hardly an area of South Africa where Jack Hammer hasn’t performed in the past 15/16 years or so. Still, it’s been an unusual take on life, says Jackson — definitely the road less travelled.

Jacks does it for the love of it and out of his admiration for the band. “When we’re on the road, I’m looked after in terms of food and accommodation etc (plus, of course, a few other perks, not to mention temptations) but I don’t want money.

“That just means that the guys in the band get less. Yeah, I guess you could say it is a labour of love, although Piet does help me out if the need arises.

Altruistic or what?

In addition to taking care of the nuts and bolts of setting up etc — although that task these days fail more and more on the shoulders of guitarist Johnathan (“The Kid”) Martin and bassist Tertius (“Bean”) du Plessis — Jacks is also the band’s sternest critic.

“When I think they’ve been hot I’ll tell them that. But when they’ve, shall we say, fouled up, I tell them straight: ‘If you get 50% better you’ll be halfway there.

By the way, drummer Paul van de Waal is known As The Duke — “because he always looks smart”.

Jackson reckons the current Jack Hammer line-up is “just about the best we’ve ever had. We’ve had a few storms in the past, I tell you; let’s say it was down to personality clashes.”

Asked what his high point of his 20 or so years with Piet has been, Jackson singles out the ZZ Top tour — when Jack Hammer was the support act. “Ah, you know, everyday is a high point, whenever I hear the guys.”

“I’ve always been surrounded by so many great musicians that I count it a privilege.”

Low points are a bit more mundane — car/van breakdowns on the road. Once, the band’s combi caught fire just outside Bloemfontein. “A piece of sponge fell out of the engine on to the exhaust and the combi staretd smoking.”

“Some guys in another car who saw the smoke billowing out the back pulled us over — we thought we were being attacked or hijacked, heaven forbid — and helped us put out the fire. That was close, but we managed to save both the combi and the equipment — the show had to go on, you know.”

The biggest pluspoint of his job as roadie is meeting lots of different people; “good people and good music”. Pressed on the “temptations” referred to earlier, Jackson laughs and says: “Yeah, we travelled pretty hard in the old days — these days we take it a bit more easy.”

As a result of his lifestyle, Jackson prefers the life of a bachelor. “It’s like Ben Dekker said when he was asked if he had ever been married. He replied: ‘No. I’ve avoided all of life’s major mistakes’.”

He thinks of himself as an integral part of the band. “I always talk about ‘us’ or ‘we’ whenever we are on the road. More so when we are in other towns: You know, ‘we’re’ playing at such and such a venue tonight.”

Jackson says Piet’s Afrikaans work, notably Suitcase Vol Winter, had allowed them the opportunity to reach a much wider audience. “We even played in Vredendal on the West Coast. It’s great to see the audience — young and old — sing along with the songs.”

Well, that’s the great thing about music eh? It breaks down barriers.

Jackson favourite songs in Jack Hammer’s repertoire include some early ones, like Must’ve Been Dreaming and Cameron Road, as well as some great covers, the Stones’ Love In Vain and the Doors’ Texas Radio And The Big Beat.

So yeah: hey, hey, my, my; rock ‘n roll will never die. And to a large extent it is unsung heroes like Jackson who will ensure that the beast goes from strength to strength.

Thanks mate.

The growing number of Jack Hammer fans will be happy to hear that a new Piet Botha & Jack Hammer CD, entitled Bootleg, is now available.

As the title suggests, it is a live album, recorded at various locations up and down the country between May 1998 and April 2000, except for the two opening tracks, The Game and For Annette.

I love their version of Nick Drake’s Northern Sky — which isn’t surprising. There are also some original gems, like Blues Vir Louise, Goeienag Generaal and, of course, Suitcase Vol Winter — and I tell you, the blues never sounded so good in Afrikaans.

Led Zeppelin’s Tangerine (sung by Johnathan) is also there and is superb, as are Jack Hammer showstoppers like Runaway Train and Cocaine Blues. Jackson says the CD is available at live gigs. Good news is that the lads will be going into the studio towards the end of the year to record a brand new CD.

Keep on hammering away guys; we, your fans, are all jacked up! And thanks hey!

Reprinted from Pretoria website

Official PietBotha.com Website Launched

Piet Botha Website: Screenshot from 21st January 2001
Piet Botha Website: Screenshot from 21st January 2001

We had a website before we even knew the internet existed. Thanks to Brian …

— Piet Botha, at Brian Currin’s 50th birthday bash, 7th February 2009.
Jack Hammer at Brian Currin’s 50th birthday bash, 7th February 2009.
Jack Hammer at Brian Currin’s 50th birthday bash, 7th February 2009.

The PietBotha.com website, originally launched on the 21 January 2001, is a fan site created by Brian Currin with major input from Piet Botha himself. Also big thank yous to Tonie van der Walt, Annalise de Meillon-Muller, Johnathan Martin, Tertius du Plessis, Paul van de Waal, Barry Frey, Jackie Frey, Stephanie Malchow, Natasha Grobelaar, Albert du Plessis, Saad “Vetseun” Cloete, Tertius Louw, Andrew King, John Samson, Kurt Shoemaker, Vernon “Moonshine” Lee and Stephen “Sugar” Segerman for photos, contributions, cover scans, reviews and inspiration.

Originally an entry on The South African Rock Files website.

JackHammer.co.za website was launched on the 21st March 2003.

South African Rock Legends: Piet Botha and Jack Hammer

We had a website before we even knew the internet existed. Thanks to Brian …

~ Piet Botha, at Brian Currin’s 50th birthday bash, 7 February 2009

February 2000: This was the original entry for Piet Botha and Jack Hammer on the South African Rock Files website (which was launched on 1 January 1999), before being expanded into its own website on 21 January 2001.

Discography


Biography

For over 30 years, Piet Botha has been working, playing and building a legendary reputation on the SA rock scene. He began writing songs and forming bands while still at school and then hooked up with Abner Smith at university to develop their acoustic duo. Botha then connected with the members of Tusk (Doc Barendse, Dino Salvatori and Derek Riley) to establish the band Raven. This hard-rocking four-piece won the “Beat 79” nation-wide competition for new rock groups and released the singles ‘Wheel Of Fortune’ and ‘The Horseman’ on David Marks’ Third Ear Label.

Botha then formed Catherine Wheel with the two members of Wildebeest, namely Dave Tarr and Colin Pratley. With Botha on bass, piano and mouth organ, the group expanded to a five piece and in 1981 the classic ‘Bushrock 1’ album was released. In 1984, Botha’s new band, Jack Hammer, was started with Boet Faber, Jan Maloney and Eric Birkenstock, but the band’s activities were put on hold when Botha relocated to the US in 1985. There he met Billy Bob Thornton with whom he began a strong friendship; Thornton also played drums and sang on the first Jack Hammer album. Twelve years later, Billy Bob Thornton won the “Best Actor” Academy Award for his part in the film ‘Slingblade’.

After returning to SA in 1986, Botha restarted Jack Hammer and for the next ten years they released four excellent and acclaimed SA rock albums – ‘Jack Of All Trades’ (1987), ‘The Judas Chapter’ (1990), ‘Ghosts On The Wind’ (1994) and ‘Death Of A Gypsy’ (1996). During 1995, Eckard Potgieter decided to grow his successful CD club, Mainline Music, into an SA record company, and Wildebeest Records was born with Piet Botha very much part of their plans. Wildebeest released the Jack Hammer albums alongside albums by Valiant Swart, Koos Kombuis, Transformers and the quirky Naaimasjiene.

In 1995 Jack Hammer played support for the Gauteng leg of the Uriah Heep/Deep Purple “Masters Of Rock” South African tour. Jack Hammer also supported one of Piet’s main influences, ZZ Top, on their SA tour. In 1997, Piet Botha and Wildebeest Records released Botha’s first solo album, the All-Afrikaans, “n Suitcase Vol Winter’, which has received critical and public approval. A second Afrikaans album, ‘Jan Skopgraaf’ was released in October 1999 and Piet toured South Africa with Jonathan Martin and Tertius du Plessis during November 1999 to promote this album and his back catalogue.

A Jack Hammer compilation titled simply ‘Anthology’ was released in January 2000 and featured tracks from all 4 previous albums plus 5 new recordings including a re-recording of their classic song ‘Fort Lauderdale’.

Piet and Jonathan Martin toured again in February 2000 to promote the ‘Anthology’ CD.

Brian Currin, February 2000


Review

SA Rock Digest Issue #47, 21 February 2000

The Digest caught Piet Botha and Jonathan Martin’s unplugged set at two different venues in Cape Town recently. First at the Big Tree in the Strand on the 12th February and again on the 17th February at the Whammy Bar in Table View.

These 2 musicians are incredibly talented and they entertained the enthusiastic crowds with songs from all 4 previous Jack Hammer albums, as well as Piet’s 2 solo Afrikaans outings.

They also played a few covers which included Nick Drake’s ‘Northern Sky’, Soul Asylum’s ‘Runaway Train’, Bob Dylan’s ‘All Along The Watchtower’, Led Zeppelin’s ‘Tangerine’, Pink Floyd’s ‘Wish You Were Here’, Guns ‘N Roses’ ‘Sweet Child ‘O Mine’ and Robert Johnson’s ‘Crossroads’.

Two brilliant evenings of Acoustic Afrikaans Alternative Folk Rock (pick one or all of the above) which will never be forgotten…

Brian Currin, February 2000

Jack Hammer at the Whammy Bar, 11 November 1999

Whammy Bar, Table View, Cape Town, 11 November 1999
Whammy Bar, Table View, Cape Town, 11 November 1999

SA Rock Digest, Issue #39, 21 November 1999

Piet Botha’s famed blues-rock band is releasing a retrospective of their 4 albums on a new compilation CD early in December. Titled simply “Anthology” this CD will include 4 or 5 new songs plus a new re-recording of the classic ‘Fort Lauderdale’ alongside tracks from all 4 previous albums.

Those of you who were lucky enough to see Piet Botha on his recent “Skopgraaf” tour would have heard a couple of the new tracks, including ‘April’.

Piet Botha, Jonathan Martin and Tertius du Plessis wowed the enthusiastic audience at the Whammy Bar in Cape Town recently. Their set included Piet Botha solo songs, Jack Hammer tracks and some covers including a stunning version of Zeppelin’s ‘Tangerine’ and Bob Dylan’s ‘All Along The Watchtower’.

This is when I first met Piet Botha and Johnathan Martin.

~ Brian Currin